Piano Concertos, Leif Ove Andsnes, piano; Berlin Philharmonic Orchestra / Mariss Jansons (EMI Classics)

CD Review

Grieg / Schumann: Piano Concertos, Leif Ove Andsnes, piano

Composer
Grieg / Schumann
Artist
Leif Ove Andsnes, piano; Berlin Philharmonic Orchestra / Mariss Jansons
Label
EMI Classics
Catalogue
7243 5 57562 2 0
Reviewed by
Anne McAlister

Norwegian pianist Leif Ove Andsnes first recorded the Grieg Piano Concerto in 1990, at the tender age of 20, coupling it with Liszt’s Piano Concerto No. 2. The disc was well received, and since then Andsnes has carved out a formidable reputation investigating some of the lesser-known byways of the piano repertoire. His delightful disc of Haydn concertos won a Gramophone Award in 2000, and in 2001 he realised a cherished ambition to record a selection of Grieg’s Lyric Pieces on Grieg’s own piano at Troldhaugen.

It was therefore a bold decision on EMI’s part to proceed with a second recording of the Grieg, and to couple it with a concerto frequently its twin on disc. (There are currently at least nineteen discs available featuring both concertos, of which four belong to EMI.) However, EMI clearly knew what they were doing, this new disc is stunning. Andsnes clips two minutes off his previous version, but this is no race to the finish. The fast passages are brilliant, urgent and impassioned, while the slower sections are more contemplative and reflective than before, played with a wonderful poetry. The slow movement is a real Adagio, warmly majestic, and Andsnes makes the most of the folk-theme basis of the finale with playing that is by turn tautly rhythmic, sweetly yearning and, finally, blazingly passionate. One feels that Liszt, to whom Grieg showed the work, would have thoroughly approved!

About the performer

Leif Ove Andsnes has built one of the more distinctive careers among his generation of pianists, deliberately balancing core Romantic repertoire like this Grieg and Schumann pairing against genuine repertoire exploration, the Haydn concertos and Grieg’s own Lyric Pieces cited above are typical of that instinct. His long-standing recording relationship with EMI (and later Sony), and his regular partnerships with major orchestras including the Berlin Philharmonic here under Mariss Jansons, established him as one of the most consistently recorded Scandinavian pianists of his era, with a discography that returns periodically to works he first recorded much earlier in his career, as this second Grieg account does.

The Schumann also gets a splendid performance, and the Berlin Philharmonic under Jansons are the perfect partners for Andsnes, producing a truly exhilarating sound. Bravo!

A note on this page

Originally published by Anne McAlister, recovered from mmmusic's own archive and reproduced here as the critic wrote it.

Questions about this recording

Had Andsnes recorded the Grieg Concerto before this disc?

Yes, he first recorded it in 1990 at age 20, paired then with Liszt's Piano Concerto No. 2. This EMI disc is a second recording, made over a decade later.

Why record the Grieg and Schumann concertos together?

They're frequently paired on disc, the review notes at least nineteen other discs pairing the two at the time, four of them on EMI itself, a natural coupling since both are single-movement-opening A minor concertos from the Romantic era.

What else had Andsnes recorded around this time?

A disc of Haydn concertos that won a Gramophone Award in 2000, and in 2001 a set of Grieg's Lyric Pieces recorded on the composer's own piano at Troldhaugen.

Is this recording still available to buy?

Yes, EMI's catalogue number 7243 5 57562 2 0 remains findable through classical retailers. We don't run an in-house shop, so we link out to Amazon and Discogs below.